Winter wonderland show

I don’t always have time to update as often as I’d like but I do try to keep things more or less in chronological order, this sometimes causes me to fall even further behind because I find it hard to publish a particular post. This is one of those posts, I have thought about what I wanted it to be like for ages because I was searching for a more refined and straightforward way to present my personal personal projects but I guess I’m not quite there yet.

As I have mentioned previously, this winter I was very inspired by wintery imagery, white animals and snowy settings. I really enjoyed gathering inspiration for the Eustratia winter wonderland shoot so when a show slot came up at the Manchester Alternative and burlesque fair, I jumped at the opportunity. I never usually plan seasonal seasonal stuff in time but my general love of animal-inspired headwear and white latex came in useful here.

winterboardThis was my main inspiration board.

I wanted to tell a story and I left it would come across best if the setting was right so the props were important. The main part of the story takes place in an enchanted forest so trees were essential, I’ve wanted to have something like this on set for ages so I ordered some foam board and thanks to the efforts of the multi-talented Richard Ayres, it was made possible. I think he will aslo need a prop portfolio soon.

I also purchased a snow machine, which I think made all the difference, a large mirror, some small animals and hanging stars to complete the scene.

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With the event being so close to Christmas I wanted to add some traditional elements into the story, unrecognisable as they may be. I stumbled upon the story of Befana, the Italian, gift giving witch. I loved the fact that as well as putting sweets into the boots of “good” children she also took time to sweep the floor while she was there, utilising her witch broom to show she was a good housekeeper. I decided to put her in the show but I totally changed her appearance to fit in with my aesthetic.

witch 3My decision to add this traditional element along with the girls starting of in the real world and journeying, in a dream, to the enchanted forest made the execution slightly more complicated. I was determined to make it work because it was the most unique part of the show and I left it gave more depth to the story.

The final narrative was as follows:

It is the night before Christmas. 2 girls go to bed in their room, excited for what the next day might bring. They have just fallen asleep when they hear a tinkling sounds coming from the mirror. The one nearest gets up and notices she can go through!

Once through the mirror the two girls find themselves in a winter wonderland, they are wondering around in awe when they meet a witch. She is gathering flowers in a basket and the girls decide to help her. To thank them for their kindness the witch gives them a magic coin that they can use to call upon her whenever they need help.

Next the girls come across winter woodland animals, dancing between the trees, they are transfixed and watch the graceful dance until their attention is drawn away by a loud noise. The snow queen and her extravagant pet unicorns approach the animals and circle menacingly. The queen decides to turn the animals into ice statues so she can admire their beauty whenever she likes, then they leave.

The girls come out from hiding behind the trees and are sad to see the animals cold and motionless, then they remember the coin and decide to use it to help the animals, they throw the coin into the air and surely enough shortly after the witch appears, she gently touches each animal and breathes life back into it. The animals have been turned back to normal and it starts to snow, everyone frolics happily.

The witch then leads the girls back through the mirror and into their own room. She puts them to bed, leaves glitter in their boots and sweeps the floor before leaving. The girls awake on Christmas day to find the glitter in their boots, a magical reminder of their journey to the winter wonderland, they are happy.

-The End-

Video by latexgirls HD

The staff and broom were made for the show by Madame Dee’s creations.

Some stills from the show:

483520_10151305066329491_1387478830_n 385028_10151305062614491_333148465_n  68604_10151305064784491_100107513_n 67627_10151305064454491_1866644225_n 60898_10151305062644491_1597263301_n 30375_3962107458627_1838900844_n 18885_10151305063134491_1457445687_n 18828_10151305063899491_1376147886_nYou can view more images from the show and info about the models on the Eustratia facebook page.

I’m quite happy with the way the show turned out despite the technical difficulties we had on the day. I’m grateful to everyone who contributed/took part and I think the models did an especially good job considering we didn’t get to rehearse with the props in place. Visually, I wish there was a white or generally light coloured backdrop, I think it would have really added to the set. It isn’t majorly important but I think it’s helpful for myself to make a note of such things because it isn’t something I would normally think about before planning a show.

Though it was a latex fashion show, I mostly enjoyed experimenting with different textures and making the non latex items. I had lots of fun with the fake fur, a material I’ve never used before. Of course I had to try on all the silly animal headwear!

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Winter wonderland

I’m late writing this post (as with most of my posts), but I needed to share this magical project.

Winter themes really inspired me this year and I wanted to bring together elements from fairy tales, wildlife documentaries and fashion in a shoot.

This was the second project I shot in collaboration with Katelizabeth photography who came to Manchester for an intense couple of days of almost constant shooting. She did a great job re-arranging the set, directing the models and editing the finished images and was a total pleasure to work with. I’m sure she will be up to great things in the future.

The point was mainly to show off my creations for Eustratia but I styled it with some wintery items from my personal collection as well as some specially made headpieces to complete the look.

_KER6470 a_KER6485 aI bought the props mainly to use in an upcoming show with a similar theme but I think they really made the set, Kate did a great job of arranging them as well!

_KER6499 a_KER6502 a_KER6504 aAnd for those of you who don’t know, this in my beautiful friend, Amber AKA Sapphire Black, if you follow my work you will have seen her before.

_KER6509 aI particularly love this images because of the composition and the fact that it shows the whole set. I had been searching for a new front page image for http://www.eustratia.co.uk for a while and I decided to use this one.

_KER6546 a_KER6577 a_KER6578 aI also made the headpieces for this shoot, which gave me a welcome break from working solely in latex. I have made antler headbands and bunny ears plenty of times before but the crowns were definitely something new for me and I really enjoyed working on them. I hope to have time to work on more special pieces and props this year. One of my goals is to create as complete an image as possible through my shoots and to keep my personal projects as close to the original idea as possible.

_KER6616 a_KER6621 a_KER6644 aThe wonderful make up in the images was provided by Laura Wilson. She is super talented and I hope to collaborate with her again this year. One of her best qualities is being able to realise somebody else’s vision as well as just her own, I find a lot of MUAs have a problem with this. She can also work well with different styles of make up while still retaining her signature.

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Opulence Collection

Those who follow my work will already be familiar with the Opulence collection that has been showcased that the Manchester Alternative and burlesque fair as well as London fetish weekend as part of the Avalonia fashion show. There is also a wonderful set of photobooth images by Tigz Rice featuring the outfits which can be viewed here.

The official Opulence look book images were shot by the talented Katelizabeth photography who did a great job of realising my vision and adding her own touch without upsetting the balance of the overall feel.

Models Sevensin & Biomechanina

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I’m really pleased with how it all turned out. I was originally worried the weather might ruin it for us and I must admit it was a rather muddy, and at times cold, experience but luckily this doesn’t show in the pictures. I had a great team that made every effort to get the best possible results and if any one of them didn’t believe in the project it wouldn’t have been possible.

I’d like to add a special thanks to Charlotte who isn’t credited as part of the creative team but really played a big part by assisting with pretty much everything and assuring the models’ safe passage to and from the set. She also took some behind the scenes footage which I hope to be able to include in a future post.

An insight into this collection and the influences behind it were published in the last issue of Rebelicious magazine which you can view online here and is also available for free download.

rebelicious opulenceImage: Sevensin by Toria Brightside who also edited together this write up from my interview.

To shop items from this collection please visit http://www.eustratia.co.uk

The chainmail collar was provided by http://www.richardayres.co.uk

Images from my second collaboration with Katelizabeth photography are due to be released in a couple of days so keep your eyes peeled! A preview images can be view on the front page of my site!

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Dark unicorn

For a while now I’ve wanted to step away from the classic theme of the white unicorn, with its purity and rainbows and give it a bit of attitude. I thought that this was quite an obvious thought process for someone creative with a dark edge and unicorns seem to be everywhere at the moment so I was surprised by the lack of relevant images online when I decided to do some research.

This was ultimately good news as it meant there wasn’t much I had to tick off the list due to someone else having done it before. I still wanted it to be quite an abstract interpretation of the unicorn as opposed to a full on pony costume with a horn and as always I couldn’t decide on just one way to style it so I portrayed it in 3 facets. Pretty unicorn, warrior unicorn and queen unicorn.

I thought these were all likely characters for the dark unicorn to take on and Jamie Mahon did a great job bringing them to life and create the right atmosphere. I also borrowed some beautiful taxidermy accessories from Sophie Adamson to complete the looks. The wardrobe/styling was provided by Eustratia and the chainmail by Richard Ayres, as usual.

We also took the opportunity to shoot some other bits on the same day but I’ve decided to include them in a different post.

I wore a revised version of this outfit to Torture garden for Halloween and added ears to the headband which I thought looked much better.

For those of you who are unicorn fans, the selection of unicorn themed items on my site is growing! Grad yourself something at http://www.eustratia.co.uk

Manchester Alternative and Burlesque fair show

Last month was my year anniversary trading at the Heresy n Heelz Manchester Alternative and burlesque fair and I put on my first fashion show there.

It was a great experience and the crew were hands down the most helpful I’ve dealt with. They made every effort to ensure the stage was dressed to my specifications, went though the pre-show announcement word for word to make sure all the info was correct and lit the stage according to the sequence and characters which really added to the atmosphere.

The show featured outfits from the Chimera collection (collaboration with chainmail designer Richard Ayres) and the upcoming Opulence collection, due to be Launched next month.

I choreographed the show myself, giving each model a character and specific role to play. he dramatization included knights, royals, maids, druds, and priestesses and convery a story of myth and magic based on Arthurian myth and Avalon.

Model: Sevensin

model: Becky Burton

model: Victoria Fairbrother

Model: Vex Ashley

Models: Victoria Fairbrother, Vex Ashley and Sapphire Black

Ritual

Model: Biomechanina

Finale.                                                                    Images by Jennifer Byron

Image by Phoenix studio.

There is also an awesome video by Toria Brightside

Make up was provided by Laura Wilson and hair by Laura Kulik.

After the show we did a photoshoot with the girls outside the venue which will feature in a future post.

 

“Reflections” collection launch

It’s really exciting to finally be able to launch the “Reflections” collection! As those of you who follow the Eustratia facebook page may know, these items were actually made around 6 months ago but with waiting for publications and working hard for shows, this is the first opportunity I’ve had to get it all sorted.

Though the situation wasn’t ideal for someone who ultimately needs to sell stuff, it did give me the opportunity to design a lookbook for the collection, which I didn’t get the chance to do with the previous ones.

There is also a fashion video of the shoot. You can also see the latex earrings which aren’t visible from the other photos.

The original images were published in Vanity magazine #16, the ambition issue, which can be bought here.

The gallery has been added to the “Collections” section of the Eustratia site and all items have been added to the online store.

Some extra behind the scenes shots from my phone:

Working with such bright colours and bold designs was quite different for me but I really loved the concept and was pleased by the outcome. I’d love to hear what more people thought of my version of bright mirror prints so feel free to comment.

Inspirational photography #2

Bette Franke by Jeff Bark for Dazed and Confused April ’12. Styled by Kate Shillingford. The editorial captures the special relationship between women and their pets and is a fresh take on the fashion & animals theme.

I love this set and wish I had such beautiful surrounding for the bedroom shoot I did a couple of months ago (which I should hopefully be able to show you soon).

New collab and Illustrated pictures

I was recently asked to jump in on a shoot my bf, Richard Ayres had arranged with Beverly Ann photography.

If you haven’t seen a lot of Beverly’s work around yet, I’m sure you will do in the near future. She is a promising young photographer with a clear vision, who also creates props to enhance her concept. I always admire photographers who like to be involved in more than just taking pictures, they are usually edgier with bigger ideas (which in turn means they might like to work with me on some of my big ideas).

For this shoot she had made these oversised demon hands which looked great combined with some black paint that she also applied herself. I love how the image below turned out and the black eyes were such a nice touch.

I was also given permission to edit some of the images from our shoot. I did one set with light pastel colours which I’m holding back until after its publication next month and an other which I can show you now.

I started off by just doing a beauty retouch and cleaning up a few things.

I did actually consider cropping this last one but decided I liked the large white space.

Models: Myself (Biomechanina) and the beautiful Jess Sevensin who you will most likely see featured here again soon!

After editing the photos as you see them above, I wanted to add something extra. I experimented a few times by making the background darker or adding some clouds but neither of these worked for me. I then remembered that I had wanted to produce a set of images with my own illustrations over the top of them for a while and these would be perfect.I did a bit of online research to find some examples that might inspire me. I have posted some on tumblr.

I have been working on some illustrations for an upcoming t-shirt line recently and most of my illustrations feature faces and insects. There were already faces in these images so I decided to draw insects, mainly moths, butterflies and dragonflies. I also added a couple of other natural and dark themes I felt were relevant.

The outcome:

What I really liked about this is that the drawings didn’t have to be great to look effective. Most of them were just quick doodles but they really transformed the feel of the images. I tried quite a lot of different things as it was my first attempt at something like this but I will definitely be doing more in the future and may produce some more concise sets with a preset theme. In these images the illustrations were drawn separately and applied onto the pictures using photoshop but I would also like to try printing the pictures out and painting on them as well as drawing electronically.

If anyone else tries something similar (or does any sort of work combining photography and illustration) I’d love to see!

Artist spotlight: Lost Fish

I’ve been thinking about getting some t-shirts printed for Eustratia and have subsequently been working on my illustration again after a long break. I don’t have any finished pieces to share yet but I thought I’d feature some of my inspiration. I got the dark inspiration book for my birthday a couple of months ago. It features a plethora of interesting artists, many of which are worth featuring but the one that appealed to me the most has got to be Lost Fish.

LostFish (Elodie is her real name), was born in 1983 in the south of France.

Self-taught, she began her creative development as a freelance character designer, but quickly turns to an artistic universe, creating digital paintings.

Her influences are mostly classical, inspired by the Flemish painters and the art of the 19th century, both in painting and photography, she draws mostly strange and sometimes disturbing girls, half woman and half child.

A selection of my favourite pieces from various sets:

I love the doll-like features, period clothing and surrealist elements as well as the way the hair as been drawn. I also find the colour schemes very pleasing.

Unicorn shoot

I previously posted an inspiration board for my unicorn shoot with Jennifer Byron photography featuring a mask my Tom Banwell so I thought I should probably post the outcome as well.

I ended up shooting 3 outfit variations. Part of my original outfit had been lost at VAU VAU the week before and I hadn’t had time to replace it so I had to improvise.

Outfits by Eustratia.